{"id":2619076,"date":"2025-07-20T23:36:47","date_gmt":"2025-07-21T03:36:47","guid":{"rendered":"https:\/\/sites.gsd.harvard.edu\/specialcollections\/?page_id=2619076"},"modified":"2025-09-10T10:47:45","modified_gmt":"2025-09-10T14:47:45","slug":"the-harvard-architecture-review","status":"publish","type":"page","link":"https:\/\/sites.gsd.harvard.edu\/specialcollections\/the-harvard-architecture-review\/","title":{"rendered":"The Harvard Architecture Review"},"content":{"rendered":"\n
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The Harvard Architecture Review<\/h1>\n\n\n\n

Years: <\/strong>1980-1988<\/p>\n\n\n\n

Frequency:<\/strong> Irregular <\/strong><\/p>\n\n\n\n

Number of Issues: <\/strong>10<\/p>\n\n\n\n

Format: <\/strong>Published Print Journal<\/p>\n<\/div><\/div><\/div>\n\n\n\n

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Click on the first cover to access the full issue on the Harvard Viewer.<\/p>\n\n\n\n

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\"The<\/a>
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1980<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Issue No.2 <\/strong>
1981<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Issue No.3<\/strong>
1984<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Issue No.4<\/strong>
1984<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Issue No.5<\/strong>
1986<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Issue No.6 <\/strong>
1987<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Issue No.7<\/strong>
1989<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Issue No.8<\/strong>
1992<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Issue No.9<\/strong>
1993<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Issue No.10<\/strong>
1998<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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THE HARVARD ARCHITECTURE REVIEW<\/strong><\/em> <\/strong>was a yearly, student-initiated and student-run publication, that appeared from 1980 to 1989. Guided by the interests of its rotating student editorial staff, each issue explored a single theme and featured contributions from both practicing architects and academics, anchored by a student-authored editorial. Their inaugural editorial declared: \u201cLet us say only this: we are concerned with the role of ideas in architecture, and with their relationship to the art of building.\u201d This journal aimed to bridge the gap between image-driven publications and those dominated by what it called the \u201cverbal enigma.\u201d Under the deanship of Gerald McCue and of Harry Cobb serving as chair of architecture, the Review reflected the ethos of thoughtful practicing architects who viewed design as a form of research and inquiry.<\/p>\n\n\n\n

The Review was a topical publication, with each issue offering insight into a single subject, examined through essays, projects, and critical reflections that framed contemporary architectural discourse. 1: Beyond the Modern Movement; <\/em>2: Urban Architecture; <\/em>3: Autonomous Architecture; <\/em>4: Monumentality and the City<\/em>; 5: Precedent and Invention<\/em>; 6: Patronage<\/em>; 7: The Making of Architecture; 8: [In Between: To and From Architecture]; <\/em>9: Toward a Journal of Architectural Research<\/em>; 10:Civitas. What is City? <\/em>Contributors were practicing architects or academics whose expertise illuminated the selected theme, presented in the form of scholarly essays rather than opinion pieces. At the same time, every issue featured a student-authored editorial and student-written abstracts for each essay, also written by the students, underscoring the publication\u2019s participatory character. Contributors throughout the years included: Jorge Silvetti, Eduard Sekler, Denise Scott-Brown, Alex Tzonis, Fred Koetter, Stanley Tigerman, Stanford Anderson, Richard Meier, Peter Smithson, Christiane Collins, James Ackerman, Colin Rowe, Andr\u00e9s Duany, Michael Hays, Manfredo Tafuri, Diane Ghirardo, George Baird, Rafael Moneo, Ann Bergren, Clive Dilnot, Wilfried Wang, Hashim Sarkis, Sheila Kennedy, Preston Scott Cohen, Linda Pollack, William Mitchell, and Steven Holl, among others.<\/p>\n\n\n\n

The first issue, Beyond the Modern Movement,<\/em> examined the modern movement \u2014understood as revolutionary\u2014 in relation to the post-modern movement \u2014framed as evolutionary. The editors reflected on a broader cultural trend that sought direction for the future by revisiting past processes and formal languages. Within this framework, the issue addressed key themes: history, cultural allusionism, anti-utopianism, contextualism, and formal concerns. The discussion of ideas in architecture found its clearest expression in the third issue, Autonomous Architecture<\/em>, which examined the interrelationship between theory and practice. It highlighted the debate between neorealists \u2014who combined historical references with pop culture\u2014 and neorationalists, who advocated for a renewed disciplinary independence. At its core, autonomous architecture was concerned with the essence of the field: with form rather than style, type rather than model, and syntax and language rather than semantics. Under this perspective the classical and the modern were understood not as opposites but as part of an ongoing, evolving process.<\/p>\n\n\n\n

The fifth issue, Precedent and Invention,<\/em> reflected on the results of a sponsored competition for a gate at the site of Harvard Yard and Quincy Street. The competition invited broad interpretations of context, encouraging participants to consider how themes of precedent and invention influence contemporary practice and shape architectural form and program. The final issue, under Peter Rowe\u2019s deanship, asked What is City?<\/em> It explored civitas<\/em> as a concept beyond public and private space. It argued that building not be reduced to a transaction between state and civil society, but rather embody community-building and novel approaches to city-making. As the authors wrote: <\/em>\u201cthe design disciplines reach beyond the physical<\/em> to embrace the social and political aspects of practice.\u201d<\/em><\/p>\n<\/div>\n\n\n\n

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GSD STUDENT PUBLICATIONS<\/em><\/strong><\/p>\n\n\n\n

Frances Loeb Library<\/strong><\/p>\n\n\n\n

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Curated by Ines Zalduendo, Special Collections Curator at the Frances Loeb Library, M.Arch \u201995<\/p>\n\n\n\n

Designed by Ashleigh Brady, Archival Collections Website Editor, M.Arch \u201926<\/p>\n\n\n\n

With collaboration from Priscilla Mariani, FLL Access Services Specialist<\/p>\n<\/div><\/div>\n\n\n\n

An Opinion on Architecture <\/em>| Task: A Magazine for the Younger Generation in Architecture <\/em>| Synthesis<\/em> | Connection: Visual Arts at Harvard <\/em>| for’m <\/em>| The Harvard Architecture Review <\/em>| re\/alignment <\/em>| APPENDX: Culture\/Theory\/Praxis <\/em>| isthmus <\/em>| Gamut<\/em> | Trays: A Student Journal of the GSD<\/em> | New Geographies <\/em>| Platform <\/em>| Harvard Real Estate Review <\/em>| Open Letters <\/em>| Very Vary Veri <\/em>| MASKS, the Journal: Journal of the Dissimulation in Art <\/em>| Process: Journal of the GSD Design Research Forum<\/em> | OBL\/QUE<\/em> <\/em>| WID Bibliography<\/em> | Pairs <\/em>| Translations<\/em><\/p>\n<\/div>\n\n\n\n

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